If you make a game-changing album like Blue Lines,
you’re going to find yourself with a right old surfeit of slack.
This means you’ve got carte blanche to slap muzak horrors Weather Storm and Heat
Miser on the follow-up, and nearly get away with a Light My Fire that rather
pisses on it instead. You can bloodymindedly stick to a zombie’s pace on third
album Mezzanine, and pick up plaudits which still ring out a decade later for
the archetypal four-good-tracks-and-a-heap-of-filler. Christ, you can even offer
up tepid audio scowl 100th Window and still not get harried out of town. That
was a decade of regression, peppered with the odd dramatic highpoint, yet
ending with chipper old 3-D brooding in Daddy G’s absence.
But mittens to history. G’s back, Horace Andy’s still there and even Martine
Topley-Bird’s dropped in now the coast is clear. It’s a quirky full circle. And
Heligoland is good, Mezzanine-good – by which we mean nearly-Risingson-good and
not Group-Four-good. Tunde Adebimpe brings TV On The Radio’s soul/tricksy
fusion to Pray For Rain, Hope Sandoval adds saucily whispered consonants to the
creepy Paradise Circus, Guy Garvey lends his peculiar mix of belated recognition
and perplexing overratedness to the glitchy, Burial-meets-Japan’s-Ghosts Flat
Of The Blade and poor Damon Albarn sounds desperate on Saturday Comes Slow.
It’s not all about the guests. The 3-D/DG/HA triple-header Splitting The Atom
is a blast from the past, and 3-D’s pulsating Atlas Air is almost enjoyable. As
enjoyable as a fellow snarling “tourniquet will keep its grip” over eerie piped
synth can be, granted.
Biggest cheer though goes to Horace Andy and his brilliant travesty of his own
Girl I Love You. Appendectomising bass underpins a thrilling, Curve-y, grim
deflowering of a once pretty ditty. Super. So the Massive have scrabbled around
and found a bit of mojo again; Heligoland isn’t swimming in sunshine optimism,
but it leavens the customary dub panic attacks with grace, invention and the generous
realisation there are still people out there who are worth the bother.